Academicians All:
A Fragment of Cultural History by Arthur Schlesinger, jr.

1996

Academy of Vocal Arts, Philadelphia

1984/2

Affiliate Artists

1986/2

American Composers Orchestra

1981/1

Association of Classical Music by Sylvia Craft

1984/2

Aston Magna at 20

1992/2

Bärenreiter: The House of the Bear and the Star

1980

George Barati

1982/2

“The Basset Horn” by Georgina Dobrée

1990/2

Arthur Berger: Introduction and Conversation

1983/1

Berkshire Choral Institute

1983/2

The New Berlioz Edition

2003

The Bettmann Archive

1986/1

“Publishing Anton Bruckner” by Herbert Vogg

1991/2

Caramoor: An Intimate Experience

1985/1

Celebrating Music and Friendship at BCI

1983/2

Chamber Music America

1983/1

Chamber Music Society of Lincoln Center

1988/2

Luigi Dallapiccola on Opera

1982/1

Luigi Dallapiccola: “Two Encounters with Antoine de Saint-Exupéry”

1984/1

Anton Diabelli

1981/2

Hugo Distler by Oskar Söhngen

1983/2

1985: Europe’s Year of Music by Dietrich Berke

1984/1

Frankfurt Music Fair

1984/2

Gesellschaft der Musikfreunde in Wien

1998

Goldman Concert Band

1980

Louis Gruenberg

1981/1

Hans Werner Henze: Comments

1986/2

“Tale of Hoffmann” by Philip Booth

1993/1

Institute for Studies in American Music by H. Wiley Hitchcock

1989/2

Koch International

1998

Paul Henry Lang

1981/1

Lincoln Center Institute

1983/1

Mozart

    “Bar Bets” by Daniel N. Leeson

1992/1

    The Great Mozart Operas for Today and All Times

2005

    “Harmoniemusik (Wind Music)”
     from The Abduction of Seraglio by Wolfgang Plath

1988/2

    “Is It Really By Mozart?” by Daniel N. Leeson

1991/2

    “Mozart as a Teacher” by Alfred Mann and Mario R. Mercado

1991/1

    “The New Mozart Edition” by Dietrich Berke

1990/2

    “Performance Practice and All That Jazz” by Daniel N. Leeson

1993/1

    “Ritter von Köchel’s Katalog” by Daniel N. Leeson

1991/1

    “Thanks, Old Timer!!” by Daniel N. Leeson

1993/2

    “Whatever Happened to the ‘Sinfonia Concertante?'”
     by Daniel N. Leeson

1985/2

Music

    Club date musicians

1982/2

    “Can Composing Be Taught?” by Alfred Mann

1982/1

    “The Twenty-First Century Maestro:
     An Imperative of Versatility and Dedication”
      by JoAnn Falletta

1999

    “The Critic’s Dilemma” by Andrew L. Pincus

1984/1

    “Let’s Have an Understanding, Symphonically Speaking”
     by Klaus G. Roy

1988/1

    Music Copying by James Paltridge

1987/1

    Music Editing by Kurt Stone

1984/2

    Music Librarians: “Sharing the Musical Wealth“

    by Donald W. Krummel

1982/1

    “New Music and Listener Expectation” by George Perle

1992/1

    Oral History, American Music

1999

    “So You Want to Buy a Score” by Joseph M. Boonin

1987/2

    “Staging an Orchestral Concert” by Marshall Burlingame

1983/1

National Opera Company

1981/2

New Berlioz Edition

2002/Aug.

Of Troubadours Today

1982/2

Operetta Goes Urtext

2005

Perera String Quartet Premiers at South Mountain

2004

La pietra del paragone (“Love on Trial”) by Walter Ducloux

1990/1

The Rameau Complete Edition

2005

“Reflections” by George Perle

1990/1

Karol Rathaus

1984/1

South Mountain Concerts

2004

Schubert’s “Lazarus” by Dietrich Berke

1996

“Heinrich Schütz in America” by William H. Reese

1985/1

Alexander Tcherepnin

1989/1

Technology and Scholarship at UMI

1983/1

Theatre Development Fund

1983/2

Tickets, Anyone?

1983/2

United States Marine Band: The President’s Own

1997

University Microfilms International

1983/1

University of Michigan School of Music

1984/1

Genesis of The Yellow Wallpaper

1990/2

Perlman, Nexus, Saratoga To Introduce New Zwilich Works

2003